Nobuo Uematsu: FINAL FANTASY VI, Symphonic Poem (Born with the Gift of Magic) Jonne Valtonen: Fantasy Overture, Circle within a Circle within a Circle Understanding Video Game Music.Sorry, you missed this performance! For similar upcoming events, please view the concerts in the "You May Also Like" section on this page. “The Score of Final Fantasy Gets Its Due at the Concert Hall.” The New York Times. “Music, Genre, and Nationality in the Postmillennial Fantasy Role-Playing Game.” In The Routledge Companion to Screen Music and Sound, edited by Miguel Mera, Ronald Sadoff, and Ben Winters, 412–27. For additional information, please contact the issue’s Guest Editors directly at We welcome all questions from prospective contributors. Authors should consult the JSMG Style Guide for further information. Authors should avoid clear identification of their name and affiliation throughout the text, and should remove all metadata from submission files. Articles should be emailed to by August 15, 2022.
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Submissions should be 6000–7000 words and should follow style guidelines outlined in the Chicago Manual of Style, 17th ed, and all pictures should be 300 DPI. Music’s connection to in-game and real-life folklore.
Final Fantasy VII: The Dirge of Cerberus.Considering the significant impact that this game has had on musicians and video game fans alike, this special collection-which will celebrate and scrutinize the legacy of the music from the expanded Final Fantasy VII universe-will serve as a welcome and timely contribution to the game’s legacy.Īs 2022 marks the 25th anniversary of its release, we welcome contributions from scholars addressing a wide array of topics related to the music within all games/media of the Final Fantasy VII universe including: Its success within the overall franchise itself is also unparalleled, as no other Final Fantasy game has been subject to such a vast universe-expansion through prequel and sequel games, movies, and novels. As recently as 2021, symphonic performances dedicated solely to the music of VII have captivated audiences at such celebrated venues as Carnegie Hall and the Royal Albert Hall (Khan 2021), reaffirming the Final Fantasy series’ “dominant position in game music culture” (Summers 2016, 158). The game and its music have consistently appeared on “top 100” lists since its release symphonic recordings of the game’s musical cues have become some of the most frequently requested “classical” works on radio waves (Gibbons 2017, 412) performers and composers alike have cited the music as some of their biggest inspirations. While the game’s cast of memorable characters and sprawling, emotionally engaging narrative undoubtedly contributed to its initial success, Final Fantasy VII boasts a legacy that is also inherently musical. In the decades since its release, Final Fantasy VII (Square 1997) has retained its status as one of the most culturally significant and successful video games of the 20th-century, whether in terms of units sold, fan response, or the vast transmedia franchise and extended universe to which it has given rise. Powell Submission deadline for articles: August 15, 2022 Call for Submissions Final Fantasy VII’s Musical Legacy Special Issue of The Journal of Sound and Music and GamesĮdited by Richard Anatone, James Denis Mc Glynn, & Andrew S.
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